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In elke monoloog komt een personage aan het woord dat slachtoffer is geworden van die vreselijke oorlog, meestal slachtoffer van het bombardement van 1. Van dierentuinoppasser (zie de titel) tot chirurg blijkt elk mensenleven even uniek, het menselijk verlangen even diep en ieders noodlot even grillig. Stuk voor stuk zijn het mooie, ontroerende, enigszins verontrustende teksten, die het inderdaad waard zijn om hier gebundeld en uitgegeven te worden. Elke monoloog wordt ingeleid met een historische foto van het bombardement en een sc. Ze hoort slechts de.. Lees meer. Jaar van uitgave: 2. De maatschappij en de cultuur in een nabije toekomst is in een nog verdergaande staat van verval. Leden van een kwartet, met een loodzwaar verleden van verlies en dood, worden in.. Lees meer. Jaar van uitgave: 2. Met po. In deze afwisselende bundel zijn gedichten, verhalen en interviews verzameld. De stukken zijn thematisch gerangschikt in vijf delen: 'op het veld', verhalen.. Lees meer. 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De titel van deze bundel verwijst naar de soldaat, de strijd in de mens, die gemobiliseerd moet worden tegen vijandige machten als tijd, verval en.. Lees meer. Jaar van uitgave: Onbekend. Het thema van de Boekenweek 2. Verhalen en gedichten over de liefde'. Het Boekenweekgeschenk wordt geschreven door Anna Enquist. Het belooft een intrigerende psychologische novelle te worden over.. Lees meer. Jaar van uitgave: Onbekend. De titel verhult enigszins dat Enquist (1. Nederlandse po. De hier verzamelde bundels schreef zij al in de eerste vijf.. Lees meer. Jaar van uitgave: Onbekend. Evenals haar vorige bundel 'Een nieuw afscheid' staat 'Klaarlichte dag' in het teken van de reis, meer in het bijzonder de levensreis. Zowel in ruimte als in tijd kunnen wij ons.. Lees meer. Jaar van uitgave: Onbekend. Elf schrijfsters stuurden een verhaal in naar het recensie- tijdschrift Surplus, dat dit jaar 1. Zij begon als dichter, maar maakte vooral naam met haar romans . Een vroegere geliefde, die zij afwees ten faveure van.. Lees meer. Jaar van uitgave: Onbekend. In dit boek zijn gedichten opgenomen die eerder werden gepubliceerd in de bundels 'De gedichten 1. De tweede helft' (2. Thema van deze gedichten van Anna Enquist, die haar.. Lees meer. Jaar van uitgave: Onbekend. Het zijn strak geschreven verhalen (deels eerder gepubliceerd), of toneelmonologen, gebaseerd op historische feiten, waarin een werkelijkheid wordt stilgezet. De werkelijkheid van.. Lees meer. Jaar van uitgave: Onbekend. Al is een aantal gedichten in opdracht geschreven, het tragische, dodelijke ongeluk van Enquists.. Lees meer. Jaar van uitgave: Onbekend. Historische roman van de populaire Enquist . Enquist romantiseert het leven van Elizabeth met behulp.. Lees meer. Jaar van uitgave: Onbekend. Het enorme succes van Anna Enquist (1. Soldatenliederen' (1. Voor dit boek heeft Enquist deelgenomen aan het project . Het boek heeft in de schrijfwijze veel weg van haar poe. Er wordt met.. Lees meer. Jaar van uitgave: Onbekend. Het kleine po. De bundel werd direct bekroond met de C. Buddingh'- prijs voor debutanten, en.. Lees meer. Jaar van uitgave: Onbekend. In deze vijf korte monologen, die oorspronkelijk voor toneel zijn geschreven, komen vijf zeer uiteenlopende personages aan het woord. Alma Mahler, de vrouw van componist Mahler, moet bijvoorbeeld kiezen met wie.. Memoirs of Madame Vig. Translated by Lionel Strachey. New York: Doubleday, Page & Company, 1. Translated by Lionel Strachey. Translated by Lionel Strachey. VIGEE LEBRUN AND HER DAUGHTER. The authoress was born in 1. Paris, where she died in 1. She was the daughter of Louis Vig. Her baptismal name was Marie Louise . In 1. 77. 6 Mademoiselle Vig. The American Foundation for the Blind (AFB) removes barriers, creates solutions, and expands possibilities so people with vision loss can achieve their full potential. Eusebius of Caesarea: Praeparatio Evangelica (Preparation for the Gospel). Gifford (1903) -- Book 6. The Solar-Cooler is the world’s first Portable, Solar-Powered Refrigeration Cooler. Plug into the sun, and keep your food and drinks cool. John Milton’s career as a writer of prose and poetry spans three distinct eras: Stuart England; the Civil War (1642-1648) and Interregnum, including the. Geoffrin–The Authoress's Puritanical Bringing- up–Male Sitters Attempt Flirtation–Public Resorts of Paris Before the Revolution. CHAPTER II. UP THE LADDER OF FAME. Lebrun–Prognostications of Unhappy Wedlock–On the Ladder of Fame–Singularities of Oriental Taste–Marie Antoinette as a Model–Painting the Royal Family–How Louis XVIII. Sang–The Princess de Lamballe. CHAPTER III. Lebrun Allows His Wife Naught Per Cent. Dugazon. CHAPTER IV. Du Barry Sketched in Words–And Painted in Oils–Rumblings of the Revolution–Mme. 1001 MOVIES YOU MUST SEE BEFORE YOU DIE (editor: Stephen Jay Schneider) A North-Side View of Slavery. The Refugee: or the Narratives of Fugitive Slaves in Canada. 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Petersburg–Patriarchal Unconventionalities–An Artillery Repast–The Greatness of the Second Catherine–Who Lit Her Own Fire and Made Her Own Coffee–And Was Sworn at by a Chimney Sweeper–Other Domestic Amenities in the Career of an Empress–The Suit of Gustavus IV.–Catherine's Death–Humiliating Funeral Incidents. CHAPTER X. Lebrun Received as a Member of the St. Petersburg Academy–Her Daughter's Untoward Marriage–Resulting in Estrangement Between Mother and Child. CHAPTER XII. Campan–An Englishwoman's Slip of the Tongue–Some Distinguished Foreigners. CHAPTER XVI. Lebrun–The Authoress Lectures an Unfriendly Critic–News of One of Napoleon's . PERSONS AND PLACES IN BRITAIN. BONAPARTES AND BOURBONS. Grassini–Capricious, Exacting Mme. Murat–Aspects of Christian Warfare–. Enters the Capital–The Barrenness of Napoleon's Victories–His Successor's Attainments–Bourbon Characteristics–The Authoress Loses Her Husband, Daughter and Brother–Conclusion. List of Madame Vig. 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One of Madame Lebrun's Contemporaries 1. A MOTHER AND HER DAUGHTER 1. GEOFFRIN – THE AUTHORESS'S PURITANICAL BRINGING- UP – MALE SITTERS ATTEMPT FLIRTATION – PUBLIC RESORTS OF PARIS BEFORE THE REVOLUTION. I was sent to a boarding- school at the age of six, and remained there until I was eleven. So it may easily be imagined how often I was condemned to bread and water. I made use of my leisure moments outdoors in tracing any figures on the ground that happened to come into my head. At seven or eight, I remember, I made a picture by lamplight of a man with a beard, which I have kept until this very day. When my father saw it he went into transports of joy, exclaiming, . Nor has that passion ever diminished; it seems to. I feel under the spell of it as much as ever, and shall, I hope, until the. It is, indeed, to this divine passion that I owe, not only my fortune, but my felicity, because it has always been the. Europe. The recollection of. I have known often cheers me in times of solitude. This, of course, suited my taste exactly. My father allowed me to do some heads in that style, and, in fact, let me. He was so wrapt up in his art that he occasionally did queer things from sheer absent- mindedness. I remember how, one day, after dressing for a dinner in town, he went out and almost immediately came back, it. He removed his wig, put on a nightcap, and. Had not one of his neighbours stopped him, he. His natural good spirits infected every one, and some came to be painted by him for the sake of his. Once, when he was making a portrait of a rather pretty woman, my father observed, while he worked at. Falling out of patience with all this. You have only to say the word and I will paint you without a mouth. This may be judged from the pastel portrait made of her by my father, as well. She carried her goodness to austerity, and my father worshipped her as. She was very pious, and, in heart, I was so, too. We always heard high mass together, and were. Especially in Lent did we never omit any of the prescribed devotions, evening. I have always liked sacred singing, and in those days organ music would often move me to tears. At the head of them I must. Doyen, the historical painter, my father's most intimate and my first friend. Doyen was the nicest man in the world, so. Poinsinet was very clever, too, and gay. Perhaps his. extraordinary credulity is generally known. As a consequence of it he was continually made game of in the most unheard- of. Some friends once told him that there was an office called the King's Screen, and persuaded him to stand before a. When he attempted to move away, he was told he must not stir, but that he. Poinsinet was, however, far from being a fool. Many of his. works are still in favour, and he is the only author who ever gained three dramatic successes in one night: . Some one put it. into his head that he had a taste for travel, so he began with Spain, and was drowned while crossing the Guadalquivir. He was rather mediocre in both arts, but was bidden to my father's suppers. I was obliged to leave the. I heard the laughter and the joking and the songs. These, I confess, I did not. At eleven I left the boarding- school for good, after my. Davesne, who painted in oils, sent his wife for me to teach me how to mix colours. Their poverty grieved me. One day, when I wanted to finish a head I had begun, they made me remain to dinner. The dinner consisted of soup. My brother, three years younger than I, was as lovely as an angel. I. was not nearly so lively as he, and far from being so clever or so pretty. In fact, at that time of my life I was very plain. I had an. enormous forehead, and eyes far too deep- set; my nose was the only good feature of my pale, skinny face. Besides, I was. growing so fast that I could not hold myself up straight, and I bent like a willow. These defects were the despair of my mother. I. fancy she had a weakness for my brother. At any rate, she spoiled him and forgave him his youthful sins, whereas she was very. To make up for it, my father overwhelmed me with kindness and indulgence. His tender love endeared. I believe I have not forgotten a word he uttered in my hearing. How often, during 1. I think of something in sort prophetic which he said. He had come. home from a philosophers' dinner where he had met Diderot, Helvetius and d'Alembert. He was so thoroughly dejected that my. After two months of suffering all hope of his recovery was abandoned. When he felt his last moments approaching, he declared a wish to see my brother and myself. We went close to his bedside, weeping bitterly. His face was terribly altered; his eyes and his features, usually so full of animation, were quite without expression, for the pallor and the chill of death were already upon him. We took his icy hand and covered it with kisses and tears. He made a last effort and sat up to give us his blessing. An hour later our poor father had ceased to live. Doyen came to see us sometimes, and as. He it was who urged me to resume the occupation I. I found the only solace for my woe. It was then that I began to paint from nature. I accomplished several portraits – pastels and oils. I also drew from nature and from casts, often working by lamplight with Mlle. Boquet, with whom I was closely acquainted. I went to her house in the evenings; she lived in the Rue Saint Denis, where her father had a bric- . It was a long way off, since we lodged in the Rue de Cl. My mother, therefore, insisted on my being escorted whenever I went. We likewise frequently repaired, Mlle. Boquet and I, to. Briard's, a painter, who lent us his etchings and his classical busts. Briard was but a moderate painter, although he did some. On the other hand, he could draw admirably, which was the reason why several young. His rooms were in the Louvre, and each of us brought her little dinner, carried in a basket by a. Boquet was fifteen years old and I fourteen. We were rival beauties. I had changed completely and had become good. Her artistic abilities were considerable; as for mine, I made such speedy progress that I soon was talked about, and. Joseph Vernet. That famous painter gave me cordial encouragement. I also got to know the Abb. He was a man of strong imaginative. His conversation enriched me with ideas, if I may thus express myself. He would. talk of music and painting with the most inspiring ardour. She was still handsome herself, and after the lapse of all these years I am free to. Seeing me so. irremediably affected by our cruel loss, my mother deemed it best to take me out of myself by showing me pictures. Thus we. went to the Luxembourg Palace, the gallery of which then contained some of Rubens's masterpieces, as well as numerous. At present nothing is to be seen there but pictures of the modern French school. I am the only painter of that class not represented. The old masters have since been removed to the Louvre. |
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December 2016
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